The Gothic’s taxonomic gap: failures of classification in Richard Marsh’s The Beetle

IF 0.3 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Nineteenth-Century Contexts-An Interdisciplinary Journal Pub Date : 2023-03-15 DOI:10.1080/08905495.2023.2195353

L. McReynolds

引用次数: 0

Abstract

‘That,’ said Sydney in my ear, ‘is the voice and that is the manner of a hypnotised man, but, on the other hand, a person under influence generally responds only to the hypnotist, – which is another feature about our peculiar friend which arouses my suspicions.... [to Holt] Do you think that this is a performance in a booth, and that I am to be taken in by all the humbug of the professional mesmerist?’ (Marsh 2004, 224–225)

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哥特文学的分类差距:理查德·马什《甲虫》中分类的失败

“那，”西德尼在我耳边说，“是一个被催眠的人的声音和举止，但是，另一方面，一个受了影响的人通常只对催眠师有反应，这是我们这位奇特的朋友的另一个特点，引起了我的怀疑....(对霍尔特说)你以为这是在展台上的表演，我会被专业催眠师的谎言所欺骗吗?(Marsh 2004,224 - 225)

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Nineteenth-Century Contexts-An Interdisciplinary Journal HUMANITIES, MULTIDISCIPLINARY-

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期刊介绍： Nineteenth-Century Contexts is committed to interdisciplinary recuperations of “new” nineteenth centuries and their relation to contemporary geopolitical developments. The journal challenges traditional modes of categorizing the nineteenth century by forging innovative contextualizations across a wide spectrum of nineteenth century experience and the critical disciplines that examine it. Articles not only integrate theories and methods of various fields of inquiry — art, history, musicology, anthropology, literary criticism, religious studies, social history, economics, popular culture studies, and the history of science, among others.