Israeli TV creators’ social justifications

IF 1.5 Q2 COMMUNICATION
Yuval Gozansky, Noa Lavie
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引用次数: 2

Abstract

ABSTRACT In the past three decades, side-by-side with the growing precariousness of the global television industry, a distinction between “quality” TV and “trashy,” commercial TV has been established in many Western TV production fields. As a result, television creators – writers, producers, and directors – confront multi-faceted moral, financial, and professional dilemmas as well as struggles over positions and prestige. Taking the Israeli TV field as a case study, this article aims to study the set of social justifications employed by television creators vis-à-vis the above dilemmas. Drawing on Boltanski and Thévenot’s concepts of social justification and the theories of Pierre Bourdieu, this article finds that in trying to resolve ideological contradictions between commerce and notions of artistry, Israeli television creators assume the position of professionals with social responsibility and artistic conviction.
以色列电视创作者的社会理由
在过去的三十年里,伴随着全球电视产业的不稳定,“优质”电视和“垃圾”电视的区分在西方许多电视制作领域已经建立起来。因此,电视创作者——编剧、制片人和导演——面临着多方面的道德、经济和职业困境,以及为职位和声望而斗争。本文以以色列电视领域为个案,旨在研究电视创作者面对-à-vis上述困境时所采用的一套社会辩护。本文借鉴Boltanski和th venot的社会正当性概念和Pierre Bourdieu的理论,发现以色列电视创作者在试图解决商业与艺术观念之间的意识形态矛盾时,承担了具有社会责任和艺术信念的专业人士的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Popular Communication
Popular Communication COMMUNICATION-
CiteScore
3.90
自引率
0.00%
发文量
15
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