Dissent from Mt. Ventoux: Between Christian and Secular Humanism in Petrarch’s de Ascensu Montis Ventosi

Q4 Arts and Humanities
Erik Z. D. Ellis
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引用次数: 0

Abstract

Petrarch’s letter de Ascensu Montis Ventosi has long served as the founding document of “renaissance humanism”. Since thebeginning of renaissance studies in the mid-nineteenth century, the letter has become almost a talisman for summoning the new, secular spirit of humanism that spontaneously arrived in Italy in the fourteenth century, took hold of the hearts and minds of Europeans in the fifteenth century, and led to cataclysmic cultural, religious, and political changes in the sixteenth, seventeenth, and eighteenth centuries. This reading, still common among non-specialists, especially in the English-speaking world, is overly simplistic and ignores Petrarch’s profound debt to classical and Christian tradition, obscuring the fundamentally religious character of the letter. This article examines how scholars came to assign the letter so much importance and offers an interpretation that stresses Petrarch’s continuity with tradition and his desire to revitalize rather than reinvent the traditions of Christian scholarship and contemplation.
对文图斯山的异议:彼特拉克的《论文图斯山的崛起》中的基督教与世俗人文主义之间
彼特拉克的信件德阿森苏·蒙蒂斯·文托西长期以来一直是“文艺复兴人文主义”的创始文件。自19世纪中期文艺复兴研究开始以来,这封信几乎已经成为召唤新的世俗人文精神的护身符,这种精神在14世纪自发地来到意大利,在15世纪占据了欧洲人的心灵,并在16、17、,和十八世纪。这种解读在非专业人士中仍然很常见,尤其是在英语世界,过于简单化,忽视了彼特拉克对古典和基督教传统的深刻亏欠,掩盖了这封信的根本宗教特征。这篇文章探讨了学者们是如何赋予这封信如此重要的意义的,并提供了一种解释,强调彼特拉克与传统的连续性,以及他振兴而不是重塑基督教学术和沉思传统的愿望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Scripta Mediaevalia
Scripta Mediaevalia Arts and Humanities-Philosophy
CiteScore
0.30
自引率
0.00%
发文量
14
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