Entanglement and Ecstasy in Dance, Music, and Philosophy: A Reply to Carrie Noland, Nancy S. Struever, and Thomas Rickert

IF 0.3 4区哲学 0 LITERATURE

PHILOSOPHY AND RHETORIC Pub Date : 2021-03-31 DOI:10.5325/PHILRHET.54.1.0063

Alva Noë

引用次数: 0

Abstract

abstract:Dance and music serve in this essay to exemplify both the looping entanglement of art and life as well as the account of art and philosophy developed in Strange Tools. This essay replies to criticisms of Carrie Noland, Nancy S. Struever, and Thomas Rickert and also offers a briefer restatement of the general approach.

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舞蹈、音乐和哲学中的纠缠与狂喜:对嘉莉·诺兰、南希·s·斯特鲁佛和托马斯·里克特的回复

文摘：舞蹈和音乐是《奇异的工具》中艺术与生活的循环纠缠以及对艺术与哲学的阐释的例证。本文回应了对Carrie Noland、Nancy S.Struever和Thomas Rickert的批评，并简要重述了一般方法。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

PHILOSOPHY AND RHETORIC Multiple-

CiteScore

0.70

自引率

25.00%

发文量

期刊介绍： Philosophy and Rhetoric is dedicated to publication of high-quality articles involving the relationship between philosophy and rhetoric. It has a longstanding commitment to interdisciplinary scholarship and welcomes all theoretical and methodological perspectives that advance the journal"s mission. Philosophy and Rhetoric invites articles on such topics as the relationship between logic and rhetoric, the philosophical aspects of argumentation, philosophical views on the nature of rhetoric held by historical figures and during historical periods, psychological and sociological studies of rhetoric with a strong philosophical emphasis, and philosophical analyses of the relationship to rhetoric of other areas of human culture and thought, political theory and law.