Collections from the Asylum: Past Lives, Present Tense

IF 0.6 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM
Jennifer Munday, E. Clark, A. Watts
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引用次数: 0

Abstract

Social history museums strive to present exhibitions that will connect to their local audience and provoke conversation as well as provide information. The aim of this article is to describe an exhibition about a decommissioned former mental hospital that is still significant for many in the local community. The exhibition consisted of various "collections” of objects and artworks assembled by the researchers in collaboration with museum staff, along with stories collected during our research into the asylum. Some "collections” included historical images and stories from the past alongside others of creative work and technology responding to the present. Community members were keenly interested in the exhibition, but the COVID-19 pandemic and consequent border closures in Australia meant that visitors needed to attend online presentations and virtual tours rather than see the exhibits in person. The use of digital presentations along with physical artefacts brought about a new way of thinking about presenting social history to future audiences.
收容所的收藏品:前世今生
社会历史博物馆努力举办展览,与当地观众建立联系,引发对话,并提供信息。这篇文章的目的是描述一个关于一家退役的前精神病院的展览,它对当地社区的许多人来说仍然很重要。展览包括研究人员与博物馆工作人员合作收集的各种物品和艺术品的“藏品”,以及我们在研究庇护期间收集的故事。一些“藏品”包括过去的历史图像和故事,以及应对现在的创造性工作和技术。社区成员对展览非常感兴趣,但新冠肺炎疫情以及随之而来的澳大利亚边境关闭意味着游客需要参加在线演示和虚拟参观,而不是亲自观看展览。数字演示和实物的使用为向未来观众展示社会历史带来了一种新的思维方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
International Journal of the Inclusive Museum
International Journal of the Inclusive Museum Arts and Humanities-Conservation
CiteScore
1.10
自引率
0.00%
发文量
9
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