Bad Dog: Pit Bull Politics and Multispecies Justice by Harlan Weaver (review)

IF 0.3 4区 文学 Q3 HISTORY & PHILOSOPHY OF SCIENCE
Nathaniel Otjen
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引用次数: 106

Abstract

Despite decades of labor in the environmental humanities and adjacent fields, scholaractivists working among the convergences of human groups and other species continue to find themselves explaining why the pursuit of social justice and animal wellbeing are united in common cause. Offering one of the most compelling recent analyses that demonstrates why equity for marginalized people and animals must be pursued together, Harlan Weaver’s Bad Dog: Pit Bull Politics and Multispecies Justice joins a growing collection of monographs that attend to the necessary and urgent interdisciplinary work of multispecies justice. Embracing the anti-normative and disruptive politics of queer theory to critique the normativities produced through the so-called “pit bull” breed, dog rescues, and canine cultures of the United States, Weaver challenges what he calls the “episteme of rational man,” “like race” logics that compare animal abuse to human suffering in ways that erase or minimize human mistreatment, and “zero sum” logics that erase species harm by prioritizing human suffering over the hardships faced by other species. Instead, Weaver proposes modes of getting along together premised on embodiment, affect, and intimacy that he names “queer affiliations,” an alternative to the “innately hopeful or promising” (p. 130), and often hetero and homonormative, constructions of “family” and “kinship.” Published in the University of Washington Press’s feminist technoscience series, Bad Dog will interest feminist science studies scholars, queer and trans* theorists, anthropologists, sociologists, and literary critics, along with academics who practice within and adjacent to fields such as women’s and gender studies, critical race studies, American studies, multispecies studies, animal studies, disability studies, cultural studies, and environmental studies. Drawing upon intersectional thought established by women of color feminisms and the boundary-disrupting work of feminist and queer theory, the monograph brings together ethnography, autoethnography, and discourse analysis to tell more equitable stories from the multispecies contact zones where people and dogs meet. Bad Dog is “a book with legs,” to borrow Eileen Myles’s memorable phrase.1 An impressive array of original concepts and terms animates the monograph’s four chapters, providing scholars with new lenses to examine multispecies worlds. Perhaps the most important idea to emerge from Weaver’s book is “interspecies intersectionality,” a powerful analytic for studying “the confluence of race, gender, sexuality, and species” (p. 15). Beginning from the observation that “relationships between humans and nonhuman animals not only reflect but in fact actively shape experiences of race, gender, species, breed, sexuality, and nation” (pp. 7–8), interspecies intersectionality
哈兰·韦弗的《坏狗:比特牛政治与多种族正义》(评论)
尽管在环境人文和邻近领域工作了几十年,但在人类群体和其他物种的融合中工作的学者们仍然发现自己在解释为什么追求社会正义和动物福祉是团结在一起的。哈兰·韦弗(Harlan Weaver)的《坏狗:比特牛政治与多物种正义》(Bad Dog:Pit Bull Politics and Multispecies Justice。韦弗接受了酷儿理论的反规范和破坏性政治,以批判美国所谓的“比特牛”品种、狗救援和犬类文化所产生的规范性,他挑战了他所说的“理性人的认识论”,即“像种族一样”的逻辑,这些逻辑将虐待动物与人类痛苦进行比较,以消除或最小化人类虐待,以及“零和”逻辑,通过将人类的苦难置于其他物种所面临的苦难之上来消除物种的伤害。相反,韦弗提出了以体现、情感和亲密为前提的相处模式,他将其命名为“酷儿从属关系”,这是“天生有希望或有前途”(第130页)的一种替代,通常是异源和同源的“家庭”和“亲属关系”结构,Bad Dog将引起女权主义科学研究学者、酷儿和跨性别理论家、人类学家、社会学家和文学评论家的兴趣,以及在妇女和性别研究、批判性种族研究、美国研究、多物种研究、动物研究、残疾研究、文化研究和环境研究等领域内和邻近领域执业的学者的兴趣。该专著借鉴了有色人种女性主义建立的交叉思想以及女权主义和酷儿理论的边界颠覆工作,将民族志、自民族志和话语分析结合在一起,讲述了人与狗相遇的多种族接触区中更公平的故事。借用Eileen Myles令人难忘的一句话,《坏狗》是“一本有腿的书”。1一系列令人印象深刻的原创概念和术语为专著的四章增添了活力,为学者们研究多物种世界提供了新的视角。也许韦弗的书中出现的最重要的想法是“种间交叉性”,这是一种研究“种族、性别、性和物种的融合”的有力分析方法(第15页)。从“人类和非人类动物之间的关系不仅反映而且实际上积极塑造了种族、性别、物种、品种、性和国家的经历”(第7-8页)的观察开始,种间的交叉性
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来源期刊
Configurations
Configurations Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Configurations explores the relations of literature and the arts to the sciences and technology. Founded in 1993, the journal continues to set the stage for transdisciplinary research concerning the interplay between science, technology, and the arts. Configurations is the official publication of the Society for Literature, Science, and the Arts (SLSA).
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