Post-Première Revision: Guillaume de Machaut and Written Music in the Late Middle Ages

IF 0.2 2区艺术学 0 MUSIC

Journal of the Royal Musical Association Pub Date : 2022-05-01 DOI:10.1017/rma.2022.7

David Maw

引用次数: 0

Abstract

The question of post-première revision acquires signi ﬁ cance when the première itself is understood as establishing a decisive moment in the relationship between the work and its audience. The première is more than simply a ﬁ rst performance. It is a formal handing over of the work from the composer to the audience (the patron). Any change to it after that event constitutes perturbation of a publicly established relationship. For this situation to occur, the musical work must be held under a certain nexus of conditions:

查看原文本刊更多论文

首映后修订：纪尧姆·德·马绍特与中世纪晚期的书面音乐

当首映式本身被理解为在作品和观众之间的关系中建立决定性时刻时，首映式后的修改问题就变得重要起来。首映式不仅仅是第一场演出。这是作曲家将作品正式移交给观众（赞助人）。事件发生后对其进行的任何更改都构成对公开建立的关系的干扰。要想出现这种情况，音乐作品必须在一定的条件下进行：

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Journal of the Royal Musical Association MUSIC-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： The Journal of the Royal Musical Association was established in 1986 (replacing the Association"s Proceedings) and is now one of the major international refereed journals in its field. Its editorial policy is to publish outstanding articles in fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal works to disseminate knowledge across the discipline and communicate specialist perspectives to a broad readership, while maintaining the highest scholarly standards.