Burns, Satan, and the Sin of Rhyme

IF 0.3 2区 文学 0 LITERATURE
Romanticism Pub Date : 2022-10-01 DOI:10.3366/rom.2022.0562
M. Ward
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引用次数: 0

Abstract

In this article I consider the ways that two of the chief influences on Burns’s creative life, the satanic and the sexual, are bedfellows and reveal Romantic ribaldry. Both sources of inspiration were discovered in his youth; both appear as mysterious, uncontrollable impulses that are not only depicted with humour but also suggest that, for Burns, comedy is drawn from and aligned with transgressive powers that are instinct with the making of poetry. Burns’s comic demonic is crucial to appreciating the distinctive character of his writing, but it also allows us to better appreciate the ways in which the ridiculous is aligned with the Romantic. Burns was no ‘Heaven-taught ploughman’ as we know. Though he played up to the image, he must have been tickled by it too, given how far from ‘heaven taught’ he liked to imagine his muses being. The laughter of Burns’s Satanism provides a vital contrast to the sublime, visionary company we have long associated with Romanticism. Encouraged by and combining the bawdier moments of Milton’s Paradise Lost with the supernaturalism of rural Scottish folklore, Burns’s comic demonic is something we would do well to take more seriously if not more solemnly as regards Romantic Satanism.
伯恩斯,撒旦和押韵之罪
在这篇文章中,我认为对伯恩斯创作生活的两个主要影响,撒旦和性,是同床共枕的,并揭示了浪漫主义的下流。这两种灵感来源都是在他年轻时发现的;两者都表现为神秘、无法控制的冲动,不仅用幽默来描绘,而且还表明,对伯恩斯来说,喜剧是从诗歌创作的本能中汲取并与越轨力量相一致的。伯恩斯的漫画恶魔对于欣赏他作品的独特性格至关重要,但它也让我们更好地欣赏荒谬与浪漫的结合方式。伯恩斯不是我们所知道的“天授农夫”。尽管他夸大了这张照片,但考虑到他喜欢想象自己的缪斯女神离“天堂教”有多远,他一定也被它逗乐了。伯恩斯的撒旦主义的笑声与我们长期以来与浪漫主义联系在一起的崇高而富有远见的伙伴形成了鲜明对比。在米尔顿的《失乐园》中的淫秽时刻与苏格兰乡村民间传说中的超自然主义的鼓励下,伯恩斯的喜剧恶魔是我们最好更认真地对待浪漫撒旦主义的,如果不是更严肃的话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Romanticism
Romanticism LITERATURE-
CiteScore
0.30
自引率
0.00%
发文量
44
期刊介绍: The most distinguished scholarly journal of its kind edited and published in Britain, Romanticism offers a forum for the flourishing diversity of Romantic studies today. Focusing on the period 1750-1850, it publishes critical, historical, textual and bibliographical essays prepared to the highest scholarly standards, reflecting the full range of current methodological and theoretical debate. With an extensive reviews section, Romanticism constitutes a vital international arena for scholarly debate in this liveliest field of literary studies.
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