Many Shades of bhakti: A Devoted Second Wife and Self-decapitated Bhairava

Q2 Arts and Humanities
Ewa Dębicka-Borek
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引用次数: 0

Abstract

The aim of this paper is to discuss the usage of two bhakti-related metaphors intended to represent self-surrender: the metaphor of marriage and the metaphor of self-decapitation. The explored narratives—one about Narasiṃha marrying Ceñcatā (a Ceñcū huntress) and the other about Bhairava who cuts off his own head for the sake of Narasiṃha—are connected to the Śrīvaiṣṇava center of Narasiṃha worship in Ahōbilam. As I will try to demonstrate, even though both served to convey the message about Narasiṃha’s final acceptance of strangers who loved him unconditionally, the employment of different symbolism may point to the fact that each of these tales originated in different circles, which, although linked to Ahōbilam, at the outset were occupied with different matters and interested in different targets: Vijayanagara rulers who supported the site to extend the kingdom’s boundaries and local temple priests eager to increase the number of pilgrims.
巴克蒂的许多阴影:一个忠诚的第二任妻子和自残的巴拉瓦
本文的目的是讨论两个与巴克提有关的隐喻的用法,这两个隐喻旨在表示自我投降:婚姻隐喻和自我斩首隐喻。探索的叙事——关于纳拉西的一个ṃ哈嫁给了Ceñcatāṃha——与希里韦相连ṣṇ纳拉西的阿瓦中心ṃ在阿ō比拉姆的哈崇拜。正如我将试图证明的那样,尽管两者都传达了关于纳拉西的信息ṃ哈最终接受了无条件爱他的陌生人,采用了不同的象征手法,这可能表明这些故事都起源于不同的圈子,尽管与阿ōbilam有关,一开始,他们忙于不同的事务,对不同的目标感兴趣:支持该遗址以扩大王国边界的维贾亚纳加拉统治者和渴望增加朝圣者人数的当地寺庙牧师。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Cracow Indological Studies
Cracow Indological Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
9
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