Selected Film Criticism, 1923–1931

IF 0.4 3区文学 0 LITERARY THEORY & CRITICISM

NEW GERMAN CRITIQUE Pub Date : 2020-11-01 DOI:10.1215/0094033x-8607605

J. V. Moltke

引用次数: 0

Abstract

Ten film reviews by Siegfried Kracauer from the 1920s and early 1930s are translated here for the first time, with a brief introduction by the translator. Leaving aside reviews that have already been translated elsewhere, and focusing almost exclusively on the silent period, the present selection was guided by two considerations. First, it includes reviews of several films that have entered the canon of world cinema (The Last Laugh, The Blue Angel, The Man with the Movie Camera, Girls in Uniform). Second, it reflects Kracauer’s attraction, particularly during the early 1920s, to American slapstick.

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《电影评论选集》，1923-1931

本文首次翻译了齐格弗里德·克拉考20世纪20年代至30年代初的10篇影评，并由译者作了简要介绍。抛开已经在其他地方翻译过的评论不谈，几乎只关注沉默时期，本次评选有两个考虑因素。首先，它包括对几部进入世界电影经典的电影的评论（《最后的笑》、《蓝色天使》、《拿着摄影机的男人》、《穿制服的女孩》）。其次，它反映了克拉考对美国闹剧的吸引力，尤其是在20世纪20年代初。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

NEW GERMAN CRITIQUE LITERARY THEORY & CRITICISM-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.