{"title":"Avatars, Activism and Postdigital Performance: precarious intermedial identities","authors":"E. Marchevska","doi":"10.1080/14794713.2023.2213018","DOIUrl":null,"url":null,"abstract":"technologies. By asking us to consider notions of newness (Bazin’s ‘perfect illusion’ for example), and how media art continues to arouse our curiosity for extending expressions of reality, Ng ‘s sophistication in re-thinking how we see and experience the world through The Post-Screen is both detailed and rigorous. Where screen boundaries lie ushers the reader towards an internalised post-screen, where you can’t help but consider your own truth.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.8000,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Performance Arts and Digital Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14794713.2023.2213018","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 1
Abstract
technologies. By asking us to consider notions of newness (Bazin’s ‘perfect illusion’ for example), and how media art continues to arouse our curiosity for extending expressions of reality, Ng ‘s sophistication in re-thinking how we see and experience the world through The Post-Screen is both detailed and rigorous. Where screen boundaries lie ushers the reader towards an internalised post-screen, where you can’t help but consider your own truth.