{"title":"Femininity and the Challenge of Representation: Some Thoughts about Minor Israeli and Palestinian Films","authors":"Nava Dushi","doi":"10.2979/israelstudies.28.1.14","DOIUrl":null,"url":null,"abstract":"ABSTRACT:In a joint interview, shortly after the release of In Between (2016), writer-director Maysaloun Hamoud and lead actress Mouna Hawa proclaimed that the primary aim of the film was to render visible the otherwise invisible lives of young Palestinian women living in Tel-Aviv-Jaffa—an unclassifiable group that forms a minority within a minority within a minority. By what means can a minority relegated to an invisible existence be represented and what is the ethical import of films which grapple with the absence of a feminine space and the impossibility of its representation? These challenges take center stage in several works of contemporary Israeli and Palestinian women filmmakers. While the historical (and present) circumstances and contexts underlying the production of their work differ, the directorial sensibilities which populate the aesthetic fabric of such films point to the emergence of collective assemblages of enunciation that transgress essentialist categorizations.","PeriodicalId":54159,"journal":{"name":"Israel Studies","volume":"28 1","pages":"233 - 247"},"PeriodicalIF":0.7000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Israel Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.2979/israelstudies.28.1.14","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT:In a joint interview, shortly after the release of In Between (2016), writer-director Maysaloun Hamoud and lead actress Mouna Hawa proclaimed that the primary aim of the film was to render visible the otherwise invisible lives of young Palestinian women living in Tel-Aviv-Jaffa—an unclassifiable group that forms a minority within a minority within a minority. By what means can a minority relegated to an invisible existence be represented and what is the ethical import of films which grapple with the absence of a feminine space and the impossibility of its representation? These challenges take center stage in several works of contemporary Israeli and Palestinian women filmmakers. While the historical (and present) circumstances and contexts underlying the production of their work differ, the directorial sensibilities which populate the aesthetic fabric of such films point to the emergence of collective assemblages of enunciation that transgress essentialist categorizations.
期刊介绍:
Israel Studies presents multidisciplinary scholarship on Israeli history, politics, society, and culture. Each issue includes essays and reports on matters of broad interest reflecting diverse points of view. Temporal boundaries extend to the pre-state period, although emphasis is on the State of Israel. Due recognition is also given to events and phenomena in diaspora communities as they affect the Israeli state. It is sponsored by the Ben-Gurion Research Institute for the Study of Israel and Zionism at Ben-Gurion University of the Negev and the Schusterman Center for Israel Studies at Brandeis University, in affiliation with the Association for Israel Studies.