Pleated Time and Posthuman Temporalities in OtherLife

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
S. Christiansen
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引用次数: 0

Abstract

abstract:The Australian science fiction movie OtherLife presents an interesting argument for the modulation of temporal experience. Working from the premise that a drug (or "biological software") can produce new memories in people, as well as revise old memories, the movie makes a posthuman argument about how human being experience time. This argument is also evident in the audiovisual form of the movie itself. Speed ramping, screen mirroring, dolly zooms, and other devices dislodge a straightforward presentation of time. Similarly, the narrative form loops and revises itself, restating events and even showing different versions of past events. Taken together, this movie shows how we do not have an experience of time but instead participate in an experience of time. This experience includes the temporal articulations of technologies—the biological software OtherLife in the movie, and the aesthetics of the film itself.
其他生命中的褶皱时间和后人类时间性
澳大利亚科幻电影《另一种生命》提出了一个关于时间体验调节的有趣论证。影片以一种药物(或“生物软件”)可以在人体内产生新的记忆,并修正旧的记忆为前提,提出了一种关于人类如何体验时间的后人类观点。这个论点在电影本身的视听形式中也很明显。速度斜坡,屏幕镜像,多莉变焦,和其他设备取代了一个直接的时间表示。同样,叙事形式循环并自我修正,重述事件,甚至展示过去事件的不同版本。总而言之,这部电影展示了我们如何没有时间的体验,而是参与时间的体验。这种体验包括技术的时间衔接——电影中的生物软件OtherLife,以及电影本身的美学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Asia-Pacific Pop Culture
Journal of Asia-Pacific Pop Culture HUMANITIES, MULTIDISCIPLINARY-
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