From the Teen Film to the Emerging Adult Film: The Road to Adulthood in Say Anything (1989) and High Fidelity (2000)

Q3 Arts and Humanities
Anglica Pub Date : 2022-10-01 DOI:10.7311/0860-5734.31.1.07
Andrea Sofía Regueira Martín
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引用次数: 0

Abstract

In the past decades, the transition to adulthood in post-industrial countries has become longer, giving rise to emerging adulthood, a new life stage between adolescence and adulthood (Arnett and Taber 1994, Arnett 2000, 2004). Cinema has reflected this change, with a growing number of narratives exploring the challenges of this life stage. Through a comparative analysis of Say Anything (Cameron Crowe, 1989) and High Fidelity (Stephen Frears, 2000), this article seeks to establish the emerging adult film as a youth film subgenre of its own by outlining some of the generic conventions that make it different from teenage films.
从青少年电影到新兴成人电影:《说任何话》(1989)和《高保真》(2000)中的成人之路
在过去的几十年里,后工业化国家向成年的过渡变得更长,产生了新兴的成年期,这是青春期和成年期之间的一个新的生活阶段(Arnett和Taber,1994年,Arnett 20002004年)。电影反映了这种变化,越来越多的叙事探索了这个人生阶段的挑战。通过对《说任何话》(Cameron Crowe,1989)和《高保真》(Stephen Frears,2000)的比较分析,本文试图通过概述一些使其不同于青少年电影的通用惯例,将新兴的成人电影确立为自己的青少年电影亚类。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Anglica
Anglica Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
18
审稿时长
26 weeks
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