Sokyryntsi Park as the embodiment of the "double life" of the Galagan family

IF 0.1 0 ARCHITECTURE
Y. Ivashko, D. Chernyshev, Ioan Gabriel Sandu, A. Dmytrenko, M. Hryniewicz
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引用次数: 0

Abstract

The history and principles of planning the park of the aristocratic country residence of the Galagan family – "Sokyryntsi" are described. Compared to such parks as Oleksandriia and Sofiivka, Sokyryntsi Park is much less well-known, although it is a unique intermediate link between the "official" parks of Classicism-Empire style, such as Oleksandriia in Bila Tserkva and "private" "Ossian parks", as Sofiivka Park in Uman. Although in some sources Sokyryntsi Park with a complex of buildings and structures belongs to the Empire style, but a deeper analysis has shown the simultaneous presence of components characteristic of the "English Landscape Park" and "Ossian Park". The Sokyryntsi ensemble is a unique example in terms of its division into three zones – "parade", "memorial", closed from strangers, and "recreational" on the shores of reservoirs. In addition, this is a rare example of the location directly on the estate of two churches, family crypts and the house of the estate founder. The Sokyryntsi ensemble is a unique example of how the "double life" of the family was subconsciously embodied in the planning and development of the park, where the "parade" part testified to the education of the owners and their role in the Russian Empire, instead, the hidden "memorial" part acted as a "figure of silence" about the shameful deeds of the estate founder. The methods of historical and culturological analysis, method of comparative analysis, method of field surveys with the implementation of dimensional drawings and photofixation were used.
Sokyryntsi公园是Galagan家族“双重生活”的化身
描述了加拉根家族贵族乡村住宅“Sokyryntsi”公园的规划历史和原则。与Oleksandria和Sofivka等公园相比,Sokyryntsi公园的知名度要低得多,尽管它是古典主义帝国风格的“官方”公园(如Bila Tserkva的Oleksandia)和“私人”“奥西安公园”(如乌曼的SofivkaPark)之间的独特中间纽带。尽管在一些资料来源中,建筑和结构复杂的Sokyryntsi公园属于帝国风格,但更深入的分析表明,“英国景观公园”和“奥西安公园”的组成部分同时存在。Sokyryntsi乐团是一个独特的例子,它分为三个区域——“游行”、“纪念”、不对陌生人开放和水库岸边的“娱乐”。此外,这是一个罕见的例子,直接位于两座教堂、家庭墓穴和庄园创始人的房子上。Sokyryntsi合奏是一个独特的例子,说明了这个家庭的“双重生活”是如何在公园的规划和开发中下意识地体现出来的,“游行”部分证明了所有者的教育以及他们在俄罗斯帝国中的角色,而隐藏的“纪念”部分则充当了对遗产创始人可耻行为的“沉默者”。采用了历史文化分析法、比较分析法、实地调查法,并采用了尺寸图和照片固定法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
3
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