Digital Vacone

Q1 Arts and Humanities
Matthew Notarian, G. Carpentiero, Lucia Michielin, T. Franconi, Candace Rice, Dylan M Bloy, G. Farney
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引用次数: 0

Abstract

Between 2016 and 2018, excavations at the Roman villa of Vacone, carried out by the Upper Sabina Tiberina Project, transitioned to completely digital recording practices. The methodological shift was accompanied by a three-year campaign of backfill removal and cleaning, which allowed most of the villa’s extant architecture and décor uncovered since 2012 to be digitized. Moreover, a new documentation protocol was established that employs photogrammetry in lieu of scale drawing to model the three-dimensional spatial characteristics of every archaeological context. Notable artifacts were also modeled to facilitate off-site study. The excavation’s experiences with this conversion offer valuable lessons for other long-term archaeological projects contemplating a similar shift amid active fieldwork. The project’s digital recording team developed a methodology for layer-by-layer modeling that ensures precise alignment between stratigraphic contexts using fixed markers. From these, standard 2D products (orthomosaic plans and digital elevation models [DEMs]) were produced. A similar technique was used for generating 2D orthomosaics of vertical features (such as walls and stratigraphic sections) without the need to take numerous measurements on the vertical surface (e.g., with a prismless total station). Similarly, the generated data can create 2D sections along any arbitrary line even after the strata have been removed. Beyond simply replicating traditional two-dimensional records, the 3D data have proven essential for visualizing the interrelation of above and below ground spaces, and for analyzing a terraced structure built on several levels. Composite 3D models, hosted online, are also an effective tool for public outreach with stakeholders in the local community, as well as the general public.
数字Vacone
2016年至2018年间,由上萨宾娜·提贝里纳项目在瓦科内的罗马别墅进行的挖掘工作过渡到了完全数字化的记录实践。方法的转变伴随着为期三年的回填清除和清洁运动,这使得别墅自2012年以来发现的大部分现存建筑和装饰得以数字化。此外,还制定了一项新的文献记录协议,采用摄影测量代替比例图来模拟每个考古背景的三维空间特征。值得注意的人工制品也被建模,以便于场外研究。这一转变的挖掘经验为其他长期考古项目提供了宝贵的经验教训,这些项目正在积极的实地调查中考虑类似的转变。该项目的数字记录团队开发了一种逐层建模方法,确保使用固定标记在地层背景之间精确对齐。由此产生了标准的2D产品(正交镶嵌图和数字高程模型[DEM])。类似的技术用于生成垂直特征(如墙壁和地层剖面)的2D正交镶嵌图,而无需在垂直表面上进行多次测量(例如,使用无棱镜全站仪)。类似地,即使在地层已经被移除之后,所生成的数据也可以沿着任意线创建2D剖面。除了简单地复制传统的二维记录外,3D数据已被证明对于可视化地上和地下空间的相互关系以及分析建立在几个层面上的梯田结构至关重要。在线托管的复合3D模型也是与当地社区利益相关者以及公众进行公共宣传的有效工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studies in Digital Heritage
Studies in Digital Heritage Arts and Humanities-Classics
CiteScore
2.80
自引率
0.00%
发文量
2
审稿时长
12 weeks
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