La construcción de la imagen regia de María Luisa de Orleans

IF 0.3 Q2 HISTORY
Ezequiel Borgognoni
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引用次数: 1

Abstract

The Spain of Carlos II and Maria Luisa de Orleans was a society of princes, as Lucien Bely has brilliantly explained it, and in it both the social reputation and the political authority of the kings were represented through external symbols that acted as indicators of the status. Among them, clothing was one of the most important and served the purpose of building the regal image. The Monarchy, in its eagerness to consolidate the sovereign authority of the king, intervened actively in the definition of the real image. But the construction of majesty did not imply only the king since it was extended to his queen consort. In this paper, we will analyze the foundations, scope and limitations in the construction of the image of Queen Maria Luisa de Orleans or, what is the same, the unfinished process of Hispanicization of a Catholic queen.
Orleans的玛丽·路易丝女王形象的构建
正如卢西恩·贝利(Lucien Bely)精彩地解释的那样,卡洛斯二世(Carlos II)和玛丽亚·路易莎·德奥尔良(Maria Luisa de Orleans)统治下的西班牙是一个王子社会,在这个社会中,国王的社会声誉和政治权威都通过作为地位指标的外部象征来表现。其中,服饰是最重要的服饰之一,起到了塑造帝王形象的作用。君主政体急于巩固国王的主权,积极干预真实形象的定义。但是,威严的构造并不仅仅意味着国王,因为它延伸到了他的王后。在这篇文章中,我们将分析玛丽亚·路易莎·德奥尔良女王形象构建的基础、范围和局限性,或者同样的,天主教女王西化的未完成过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
15
审稿时长
30 weeks
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