Maria Hirszbein: An (In)visible Figure of Polish Cinema of the 1920s and 1930s

IF 0.1 3区艺术学 0 FILM, RADIO, TELEVISION

CAMERA OBSCURA Pub Date : 2021-12-01 DOI:10.1215/02705346-9349357

Małgorzata Radkiewicz

引用次数: 0

Abstract

This article examines the career of the Polish film producer Maria Hirszbein (1889–1939/1942) in relation to the development of interwar Polish cinema, including Yiddish films, and the modern idea of a “New Woman.” Investigating Hirszbein's activities as the successful manager of her company, Leo-Film, and as cofounder and member of the Polish film producers’ unions, the article explores her professional accomplishments and innovative work style, which was based on teamwork and promoting young, talented actors, creative directors, and screenwriters sensitive to social issues. In reconstructing Hirszbein's professional biography, the text combines different sources such as press reports, film reviews, photographs from the collection of the Polish National Film Archive (FINA), and data collected by the Institute of Jewish History in Warsaw.

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Maria Hirszbein：20世纪20年代和30年代波兰电影的可见人物

本文考察了波兰电影制片人Maria Hirszbein（1889–1939/1942）的职业生涯，与两次大战之间波兰电影的发展有关，包括意第绪语电影，以及“新女性”的现代理念，这篇文章探讨了她的专业成就和创新的工作风格，这是基于团队合作和提拔年轻、有才华的演员、有创意的导演和对社会问题敏感的编剧。在重建赫茨宾的职业传记时，文本结合了不同的来源，如新闻报道、电影评论、波兰国家电影档案馆（FINA）收藏的照片以及华沙犹太历史研究所收集的数据。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CAMERA OBSCURA FILM, RADIO, TELEVISION-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.