Places of memory in ruins and death's patrimonialization in Santiago and Bogotá

IF 0.4 N/A HUMANITIES, MULTIDISCIPLINARY
J. Bustamante, Ana Guglielmucci, Francisca Márquez
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引用次数: 0

Abstract

The article analyses the ruinous destiny and patrimonial strategies of two places used in contexts of violence: Patio 29 of the General Cemetery of Santiago de Chile and the niches of the Columbarios of the Central Cemetery of Bogotá in Colombia. The premise underlying this article is that although heritage administrations are inspired by a positivist idea of memory, they have been ineffective in avoiding processes of ruinification of both places. This investigation shows that there are natural and social processes that contradict patrimonial principles, leading to ruin as an outcome. In the tension between patrimonial principles and social processes, the ruin, due to its controversial nature, historicizes the places and allows to update the narratives around the memory. The article concludes that ruins – as materiality, affect and narrative memory – are an expression of these contradictions within society.
圣地亚哥和波哥大废墟中的记忆之地和死亡的传承
文章分析了在暴力背景下使用的两个地方的毁灭性命运和继承策略:智利圣地亚哥总公墓的Patio 29和哥伦比亚波哥大中央公墓的Columbarios壁龛。这篇文章的前提是,尽管遗产管理部门受到了实证主义记忆思想的启发,但它们在避免两地的毁灭过程方面都是无效的。这项调查表明,存在与继承原则相矛盾的自然和社会过程,最终导致破产。在继承原则和社会进程之间的紧张关系中,由于其争议性,废墟将这些地方历史化,并允许更新围绕记忆的叙事。文章的结论是,废墟作为物质性、情感和叙事记忆,是社会内部这些矛盾的表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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