Professions of Craft: Program Era Pedagogy in Julia Alvarez's ¡Yo!

IF 0.1 0 LITERATURE, AMERICAN
Deborah Thurman
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引用次数: 0

Abstract

Abstract:This article expands and complicates existing accounts of Program Era Latinx fiction by centering the career of Julia Alvarez, an author whose strategic acts of affiliation with the creative writing program diverge from the critical stances articulated by other popular Latinx writers. Alvarez, I argue, frequently deployed the vocabulary of the MFA to negotiate her literary reception amid her marketplace success in the 1990s. Her strategic appeals to discourses of the university redirected the exoticizing and commodifying attentions of the US literary market, soliciting more formalist engagement with her work. Alvarez's writing during this period, particularly her novel ¡Yo! (1997), theorizes creative writing pedagogy in dialogue with multicultural politics, exploring the social applications and limitations of MFA curriculum.
工艺专业:Julia Alvarez的《Yo!》
摘要:本文以茱莉亚·阿尔瓦雷斯(Julia Alvarez)的职业生涯为中心,对计划时代拉丁小说的现有叙述进行了扩展和复杂化。朱莉娅·阿尔瓦雷斯(Julia Alvarez)与创意写作计划的战略行为不同于其他流行拉丁作家所表达的批评立场。我认为,在上世纪90年代她在市场上取得成功之际,阿尔瓦雷斯经常使用MFA的词汇来谈判她在文学上的接受程度。她对大学话语的战略性呼吁重新引导了美国文学市场对异国情调和商品化的关注,吸引了更多形式主义者参与她的作品。阿尔瓦雷斯在这一时期的创作,尤其是她的小说《哟!(1997),将创意写作教学法与多元文化政治对话理论化,探讨了MFA课程的社会应用和局限性。
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来源期刊
Arizona Quarterly
Arizona Quarterly LITERATURE, AMERICAN-
CiteScore
0.30
自引率
0.00%
发文量
20
期刊介绍: Arizona Quarterly publishes scholarly essays on American literature, culture, and theory. It is our mission to subject these categories to debate, argument, interpretation, and contestation via critical readings of primary texts. We accept essays that are grounded in textual, formal, cultural, and theoretical examination of texts and situated with respect to current academic conversations whilst extending the boundaries thereof.
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