Interiority and Agency: Exploring Self in Context with Others in the Act of Creation

Q1 Arts and Humanities
Interiority Pub Date : 2023-07-25 DOI:10.7454/in.v6i2.272
Barbara Young
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引用次数: 0

Abstract

This investigation seeks to extend the discourse on interiority. I am an interior designer and, therefore, pose questions as they relate to design process, specifically that the concern regarding interiority is not necessarily something to design for, but as designers, it affects how and what we design. The presented cases are artistic explorations that provided an opportunity to interrogate interiority as it relates to my cognitive and creative process.  Through an auto-ethnographic account, I present two acts of making. In the creation process, I interrogate meaning-making and perception that constitutes my subjective interiority, which can only be understood in context. Using Maurice Merleau-Ponty to inform perception and Alfred Gell’s art nexus theory, derived from Peircean semiotics, I demonstrate how decisions, or judgements, are informed by my subjective interiority that has been formed by contextual experiences. Additionally, I argue that to understand interiority, we must move from perceived dichotomies such as interior and exterior, public and private, or individual and collective to viewing interiority and exteriority as continuous wholes.
内部性与能动性:在创造行为中与他人的语境中探索自我
这项调查试图扩展关于内在性的论述。我是一名室内设计师,因此,我会提出与设计过程相关的问题,特别是对内在性的关注不一定是设计的目的,但作为设计师,它会影响我们的设计方式和内容。所呈现的案例是艺术探索,提供了一个机会来质疑与我的认知和创作过程有关的内在性。通过一个汽车人种学的叙述,我呈现了两种制作行为。在创作过程中,我质疑构成我主观内在性的意义制造和感知,而这种内在性只能在语境中理解。我利用莫里斯·梅洛·庞蒂的感知和阿尔弗雷德·盖尔的艺术关系理论(源自皮尔斯符号学),展示了我的主观内在性是如何影响决策或判断的。此外,我认为,要理解内在性,我们必须从内部和外部、公共和私人、个人和集体等感知的二分法转向将内在性和外部性视为连续的整体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Interiority
Interiority Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.10
自引率
0.00%
发文量
16
审稿时长
10 weeks
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