Dramatopisarki w natarciu — feministyczny charakter najnowszej dramaturgii rosyjskojęzycznej

Paulina Charko-Klekot
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引用次数: 0

Abstract

This article enumerates the most salient features of works by the youngest contemporary Russian-speaking playwrights of Eastern Europe, including Irina Vaskovska, Asya Voloshyna, Natalya Blok, Olga Shilyayeva and Darya Slyusarenko. Conducted from a feminist perspective, the study discusses various ways in which the plays contradict a male-centric vision of the world. Their authors undertake the (re-)definition of the concept of femininity by proposing new perspectives on seemingly well-known topics such as motherhood, family relationships, sexuality, and corporeality. The protagonists of the plays presented in the text oppose the social and moral norms that limit them, make attempts to go beyond those cliches, and fight for the opportunity to be themselves.
戏剧学家对最新俄语戏剧女性主义特征的攻击
本文列举了东欧当代最年轻的俄语剧作家伊琳娜·瓦斯科夫斯卡、阿西亚·沃洛希娜、纳塔利亚·布洛克、奥尔加·希利亚耶娃和达里娅·斯柳萨连科的作品中最突出的特点。该研究从女权主义的角度出发,讨论了这些戏剧与以男性为中心的世界观相矛盾的各种方式。他们的作者通过对母亲、家庭关系、性和物质等看似众所周知的话题提出新的观点,对女性气质的概念进行了(重新)定义。文本中呈现的戏剧主人公反对限制他们的社会和道德规范,试图超越这些陈词滥调,并为做自己的机会而战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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