The Red Gown: Reflections on the Visual History of Menstruation in Scotland

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY

Open Library of Humanities Pub Date : 2022-01-14 DOI:10.16995/olh.6340

C. Røstvik, B. Hughes, Catherine Spencer

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引用次数: 0

Abstract

Over the last decades, menstruation has become more present in public discourse in Scotland.While scholars are increasingly documenting this change, little attention has been paid to therole of menstrual art made in Scotland. In this article, we explore the historic contexts ofmenstrual art in the town of St Andrews and in Scotland during the late twentieth and earlytwenty-first century, and ask what this reveals about menstrual absence and presence in publicdebates. We do this in collaboration with artist Bee Hughes, whose practice focuses on thevisible and invisible aspects of menstruation, and who was artist in residence at St Andrews in2020. Due to a university strike and a pandemic, our collaboration changed and subsequentlyfocused more on the histories of menstrual art. We thus assess symbols and collections ofmenstrual visual culture in Scotland, including the use of the ceremonial red gown at theUniversity of St Andrews, and menstrual art collections at Glasgow Women’s Library and StAndrews Special Collections. Together, we reflect on how their histories might be both present(institutionalised) and absent (when not on display). 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来源期刊

Open Library of Humanities HUMANITIES, MULTIDISCIPLINARY-

CiteScore

1.30

自引率

20.00%

发文量

审稿时长

15 weeks

期刊介绍： The Open Library of Humanities is a peer-reviewed, open-access journal open to submissions from researchers working in any humanities'' discipline in any language. The journal is funded by an international library consortium and has no charges to authors or readers. The Open Library of Humanities is digitally preserved in the CLOCKSS archive.