REPRESENTASI LIQUID RELIGION KELAS MENENGAH MUSLIM DALAM FILM ISLAMI PASCA ORDE BARU

Supriansyah Supriansyah
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引用次数: 2

Abstract

The main focus of this article is the construction of the middle class Muslims through representation and images in the form of Islamic films. Representations and simulations are used to maintain and strengthen the position of the middle class in Muslim societies. In the era of liberal capitalism, spectacle media is the most popular medium of society. The image is the main value in the media, which disturbs the society of capitalism to smooth the agenda of capitalism and consumerism. The main question in this article is how the representation and simulation of Islam is from the middle class Muslims in Indonesian Islamic films in post-new Order era? This article reveals the position of Islamic films as a medium of preservation of the religious values of the middle class that are displayed through film framing such as economic ability, education qualifications and political choice. The identity of the middle class is a value that is not only illustrated without ideological battles and the struggle for space in films, but at the same time becomes a religious ideological medium, especially the closed middle class Muslims ideology.
电影《新秩序》中穆斯林的代表性液体宗教KEKES
本文的主要关注点是通过伊斯兰电影形式的表现和形象来建构穆斯林中产阶级。代表和模拟被用来维持和加强中产阶级在穆斯林社会中的地位。在自由资本主义时代,奇观媒体是最受欢迎的社会媒介。形象是媒介的主要价值,它扰乱了资本主义社会对资本主义和消费主义的议程。本文的主要问题是,在后新秩序时代的印尼伊斯兰电影中,中产阶级穆斯林对伊斯兰教的再现和模拟是如何的?本文揭示了伊斯兰电影作为维护中产阶级宗教价值观的媒介的地位,这些价值观通过经济能力、教育资格和政治选择等电影框架来展示。中产阶级的身份是一种价值观,它不仅在没有意识形态斗争和电影中的空间斗争的情况下得到了说明,而且同时也成为了一种宗教意识形态媒介,尤其是封闭的中产阶级穆斯林意识形态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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