Political economy of Nollywood: A literature review

IF 0.2 0 FILM, RADIO, TELEVISION
E. M. Ezepue
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引用次数: 0

Abstract

Political economy studies control and survival in social life. It is simply defined as the study of production and exchange and how these activities relate with the state and its laws. It is interested in how politics interacts with economics. Extensive essays and texts on the political economy of the film industry in general, and of Hollywood in particular abound. Such studies on Nollywood, the Nigerian film industry, remains scarce. But in recent times, authors, both indigenous and foreign, are beginning to give increased attention to the struggle for power and control within the industry. This study is interested in how economic activities in Nollywood interact with the law and government. It searches existent scholarship to interrogate what has been discussed on aspects of the political economy of the industry. It discusses these studies under production, distribution and consumption. It reviews other important industry matters like policies, interrogating briefly the place of MOPICON in the political economy of Nollywood. This review forms an important document for research on Nollywood, to curb and forestall consistent repetition of studies within Nollywood scholarship.
奈莱坞的政治经济学:文献综述
政治经济学研究社会生活中的控制和生存。它被简单地定义为研究生产和交换,以及这些活动如何与国家及其法律联系起来。它感兴趣的是政治如何与经济相互作用。关于电影业,尤其是好莱坞的政治经济的大量文章和文本比比皆是。对尼日利亚电影业诺莱坞的此类研究仍然很少。但近年来,本土和外国作家开始越来越关注行业内的权力和控制权斗争。本研究关注的是诺莱坞的经济活动如何与法律和政府互动。它搜索现有的学术来质疑在工业的政治经济学方面所讨论的内容。它在生产、分配和消费三个方面讨论了这些研究。它回顾了其他重要的行业事务,如政策,简要询问了MOPICON在诺莱坞政治经济中的地位。这篇综述是诺莱坞研究的重要文件,旨在遏制和防止诺莱坞学术界不断重复研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of African Cinemas
Journal of African Cinemas FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.
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