A contribution to researching Russian-Serbian connections in sacral and court painting and architecture through the opera of Russian emigrants in Serbia between the world wars: Examples of adopting Russian models

IF 0.2 0 MUSIC
Jelena Mežinski-Milovanović
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引用次数: 0

Abstract

Russian-Serbian cultural connections in a broader sense, represented through direct parallels in Russian and Serbian sacral painting, architectural decoration, sacral interior design and phenomen? in court art canons of the last Romanov?s and Karadjordjevic?s dynasties are insufficiently researched. By using the concrete monuments, mostly in Russian style, Russian symbolism and Art Nouveau, but also the court canon at the turn of the century in Russia through the works of Russian emigrants after the October revolution in Serbia during the 1920s and 1930s, the use of Russian pictorial features and cultural models adapted to Serbian demands is going to be demonstrated.
通过两次世界大战期间在塞尔维亚的俄罗斯移民的歌剧,对研究俄罗斯-塞尔维亚在宗教和宫廷绘画和建筑方面的联系做出了贡献:采用俄罗斯模式的例子
更广泛意义上的俄罗斯-塞尔维亚文化联系,通过俄罗斯和塞尔维亚的骶骨绘画、建筑装饰、骶骨室内设计和现象的直接相似来表现?最后一个罗曼诺夫的宫廷艺术经典?s和Karadjordjevic?中国的王朝研究不足。通过使用混凝土纪念碑,主要是俄罗斯风格、俄罗斯象征主义和新艺术运动,以及20世纪20年代和30年代塞尔维亚十月革命后俄罗斯移民的作品,在俄罗斯世纪之交的宫廷正典,将展示俄罗斯绘画特征和文化模式的使用,以适应塞尔维亚的需求。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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