{"title":"The Aesthetic Power of Ships in International Political Communication: Why Ships Matter in China’s Communication of the Maritime Silk Road Initiative","authors":"Carolijn van Noort","doi":"10.1080/13600826.2021.1942801","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article argues that closer attention to the objects visualised in China's international political communication of the Maritime Silk Road Initiative (MSRI) will add new knowledge of China's global media strategies. Particularly, it contends that the creation of specific visual depictions of ships carries great significance in China's strategic narratives of the MSRI. The argument suggests that these visuals help Beijing to legitimise their maritime transport and foreign investments in ports as part of a liberal agenda and to forge its maritime identity as a peaceful trading country with historical roots. This approach is based on the premise that ships in international political communication have aesthetic power. Greater understanding of the social and compositional modalities of ships in China's communication provides valuable insights into how China tries to legitimise the MSRI, but also the complexity for China to avoid aesthetic vulnerability considering the existence of competing (visual) narratives.","PeriodicalId":46197,"journal":{"name":"Global Society","volume":"36 1","pages":"516 - 537"},"PeriodicalIF":1.7000,"publicationDate":"2021-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13600826.2021.1942801","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Global Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13600826.2021.1942801","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"INTERNATIONAL RELATIONS","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT This article argues that closer attention to the objects visualised in China's international political communication of the Maritime Silk Road Initiative (MSRI) will add new knowledge of China's global media strategies. Particularly, it contends that the creation of specific visual depictions of ships carries great significance in China's strategic narratives of the MSRI. The argument suggests that these visuals help Beijing to legitimise their maritime transport and foreign investments in ports as part of a liberal agenda and to forge its maritime identity as a peaceful trading country with historical roots. This approach is based on the premise that ships in international political communication have aesthetic power. Greater understanding of the social and compositional modalities of ships in China's communication provides valuable insights into how China tries to legitimise the MSRI, but also the complexity for China to avoid aesthetic vulnerability considering the existence of competing (visual) narratives.
期刊介绍:
Global Society covers the new agenda in global and international relations and encourages innovative approaches to the study of global and international issues from a range of disciplines. It promotes the analysis of transactions at multiple levels, and in particular, the way in which these transactions blur the distinction between the sub-national, national, transnational, international and global levels. An ever integrating global society raises a number of issues for global and international relations which do not fit comfortably within established "Paradigms" Among these are the international and global consequences of nationalism and struggles for identity, migration, racism, religious fundamentalism, terrorism and criminal activities.