Images Made by Contagion: On Dermatological Wax Moulages

IF 0.9 2区 社会学 Q3 SOCIOLOGY
Mechthild Fend
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引用次数: 0

Abstract

Moulages are contact media – images made by contagion in the most literal sense: their production relies on a process in which the object to be reproduced is touched by the reproducing material. In the case of dermatological moulages, the plaster touches the infected skin of the sick and, once dried, serves as the negative form for the waxen image of a disease. Focussing on the collection of the Hôpital Saint-Louis in Paris, the article situates the production of dermatological moulages within the visual culture of 19th-century medicine and raises the question how an ancient technique of image production could become such a prevalent tool for the documentation of skin diseases during a period usually associated with the rise of scientific medicine and a reconsideration of theories of contagion in medical aetiology.
传染病造成的图像——论皮肤病蜡像
模印是接触媒介——最字面意义上的传染图像:它们的生产依赖于一个过程,在这个过程中,被复制的对象被复制的材料触摸。在皮肤病学的模塑中,石膏接触到病人被感染的皮肤,一旦干燥,就成为疾病蜡像的阴性形式。本文以巴黎Hôpital圣路易博物馆的收藏为重点,将19世纪医学视觉文化中的皮肤学蜡像制作置于这一位置,并提出了一个问题:在一个通常与科学医学的兴起和医学病因学中传染病理论的重新考虑有关的时期,一种古老的图像制作技术如何成为记录皮肤病的普遍工具。
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来源期刊
Body & Society
Body & Society SOCIOLOGY-
CiteScore
4.10
自引率
5.60%
发文量
13
期刊介绍: Body & Society has from its inception in March 1995 as a companion journal to Theory, Culture & Society, pioneered and shaped the field of body-studies. It has been committed to theoretical openness characterized by the publication of a wide range of critical approaches to the body, alongside the encouragement and development of innovative work that contains a trans-disciplinary focus. The disciplines reflected in the journal have included anthropology, art history, communications, cultural history, cultural studies, environmental studies, feminism, film studies, health studies, leisure studies, medical history, philosophy, psychology, religious studies, science studies, sociology and sport studies.
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