Asphyxiations

IF 0.3 3区 文学 0 LITERATURE
S. Connor
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引用次数: 0

Abstract

Recent events and sociorhetorical expatiations upon them have reaffirmed breathing as the ideal form of free and unimpeded life, that struggles against the throttlings of oppression. The root meaning of oppression, from the past participle of Latin opprimere, is to press, crush or bear down upon, and the word oppression has commonly been used to signify the feeling of the difficulty of breathing, through some constriction or pressure, as in the nocturnal attentions of the nightmare, the spirit imagined as settling suffocatingly on the chest of the sleeper. As a mare that rides rather than being ridden, the spirit is often imagined as a female succubus, though in Fuseli’s 1781 painting the mare is accompanied by a simian incubus who squats on the chest of a female sleeper, prompting these lines from Erasmus Darwin:
窒息
最近发生的事件和对这些事件的社会修辞的阐述再次肯定了呼吸是自由和不受阻碍的生活的理想形式,它与压迫的窒息作斗争。压迫的词根是拉丁语opprimere的过去分词,意思是压迫、压碎或压下去,压迫这个词通常被用来表示呼吸困难的感觉,通过某种收缩或压力,如在夜间的噩梦中,被想象成令人窒息地躺在睡眠者的胸口上。作为一匹骑着而不是被骑着的母马,幽灵经常被想象成一个女性魅魔,尽管在富塞利1781年的画作中,母马身边有一个蹲在女性睡眠者胸口的猿猴魅魔,这激发了伊拉斯谟·达尔文的诗句:
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来源期刊
SUB-STANCE
SUB-STANCE LITERATURE-
CiteScore
0.20
自引率
0.00%
发文量
21
期刊介绍: SubStance has a long-standing reputation for publishing innovative work on literature and culture. While its main focus has been on French literature and continental theory, the journal is known for its openness to original thinking in all the discourses that interact with literature, including philosophy, natural and social sciences, and the arts. Join the discerning readers of SubStance who enjoy crossing borders and challenging limits.
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