Viivikonna – Formation of a Ghost Town Amongst Other East Estonian Oil-Shale Mining and Industrial Town

IF 0.1 0 ART
Siim Sultson
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Abstract

The central Stalinist urban ensembles in East Estonian oil-shale mining and industrial townsKohtla-Järve, Ahtme, Sompa, Jõhvi, Kukruse, Kiviõli, Kohtla-Nõmme and Sillamäe areprotected by comprehensive plans and regarded as built-up areas of cultural andenvironmental value; Viivikonna, although similar to these towns, does not boast suchpatronage. Compared to other oil-shale mining and industrial towns, Viivikonna has becomea brownfield nearly completely. What could be the reason for such a difference?Someanswers may be found in history (1946–1980). Viivikonna is the only East Estonian oil-shalemining and industrial town that follows urban planning principles and a pattern, establishedby the Department of Architecture of the Estonian SSR, led by Harald Arman, to this day.However, it is necessary to decide the purpose of Viivikonna in the near future: whether partsor whole of the town are worthy of preservation–both in the economic and aesthetic sense.
vivikonna -在其他东爱沙尼亚石油页岩开采和工业城镇中形成的鬼城
东爱沙尼亚油页岩开采和工业中心的斯大林式城市建筑群townsKohtla-Järve、Ahtme、Sompa、Jõhvi、Kukruse、Kiviõli、Kohtla-Nõmme和Sillamäe受到综合规划的保护,被视为具有文化和环境价值的建成区;vivikonna虽然与这些城镇相似,但却没有这样的赞助。与其他油页岩开采和工业城镇相比,vivikonna几乎完全变成了棕地。造成这种差异的原因是什么呢?从历史(1946-1980)中可以找到一些答案。vivikonna是东爱沙尼亚唯一一个遵循城市规划原则和模式的石油开采和工业城镇,由Harald Arman领导的爱沙尼亚苏维埃社会主义共和国建筑部建立,直到今天。然而,在不久的将来,有必要确定vivikonna的目的:无论是在经济意义上还是在美学意义上,整个城镇是否值得保存。
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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