Numbers Game or Scientific History? Exactitude and Justice in 1970s Cliometrics and in Digital History Today

Q2 Arts and Humanities
Antonia von Schöning
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引用次数: 0

Abstract

By the time of the publication of Robert W. Fogel and Stanley L. Engerman’s Time on the Cross in 1974, quantitative history had become an important, yet controversial, trend around the globe. Time on the Cross, an economic history of slavery in the American South, prompted a fierce debate among historians. The issue at stake was the use of quantitative methods and the role of computers in what was called “cliometrics.” Fogel and Engerman claimed that their monograph replaced the uncertainties of traditional, narrative history with hard scientific facts, verified by computers and mathematical techniques. But critics found outright errors in their use and interpretation of the quantitative data and pointed to the danger of dehumanizing the study of history if it is left to a machine. This essay retraces the debate and critically analyzes the promises of exactitude formulated in cliometric discourse in order to ask what lessons can be learned for the challenges digital humanities faces today.
数字游戏还是科学史?20世纪70年代计量学和当今数字史中的精确与公正
到1974年罗伯特·W·福格尔和斯坦利·L·恩格尔曼的《十字架上的时间》出版时,量化历史已经成为全球一种重要但有争议的趋势。《十字架上的时间》是一部关于美国南部奴隶制的经济史,在历史学家中引发了激烈的争论。关键问题是定量方法的使用以及计算机在所谓的“计量学”中的作用。Fogel和Engerman声称,他们的专著用经过计算机和数学技术验证的硬科学事实取代了传统叙事历史的不确定性。但批评者发现,他们在使用和解释定量数据时存在明显错误,并指出,如果把历史研究留给机器,就会有失去人性的危险。本文回顾了这场辩论,并批判性地分析了计量话语中所表达的准确性承诺,以期了解数字人文学科在当今面临的挑战中可以吸取什么教训。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
History of Humanities
History of Humanities Arts and Humanities-Arts and Humanities (all)
CiteScore
0.60
自引率
0.00%
发文量
16
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