Combining Historical Narrative Forms and the Immersion of Exhibition Visitors. Approaches and Experiences from the Luxembourg “Remix” Project

IF 0.3 Q2 HISTORY
Werner Tschacher
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引用次数: 0

Abstract

Abstract The paper describes and analyzes the experiences of the Luxembourg-based research project “Remixing Industrial Pasts in the Digital Age” (2019–2024) and its four individual component projects. Combining different forms of digital historical storytelling can generate proximity and immersion for visitors. The creation of immersion results from a technically sophisticated, authentic-looking, and emotionally appealing presentation of biographies, spaces and historical themes. By means of digitally supported productions, the boundaries between facts and fiction, artistically designed and real spaces, and historical and virtual text and image elements were deliberately blurred to delve more deeply into the historical past of Luxembourg’s industrial region. New perspectives on regional history emerged from the fragmentation of history and the combination of individual narratives, taking the place of traditional master narratives.
结合历史叙事形式和展览参观者的沉浸感。卢森堡“汇款”项目的做法与经验
摘要:本文描述并分析了位于卢森堡的研究项目“数字时代的工业历史再混合”(2019-2024)及其四个独立组成项目的经验。结合不同形式的数字历史叙事可以让游客产生亲近感和沉浸感。沉浸感的创造源于对传记、空间和历史主题的技术复杂、看起来真实、情感吸引人的呈现。通过数字支持的制作,事实与虚构、艺术设计与真实空间、历史与虚拟文本和图像元素之间的界限被故意模糊,以更深入地探究卢森堡工业区的历史。在历史的碎片化和个体叙事的结合中,出现了新的区域历史视角,取代了传统的主体性叙事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
International Public History
International Public History Arts and Humanities-History
CiteScore
0.40
自引率
0.00%
发文量
12
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