Introduction

Abstract

futuristic elements of science fiction, and Padmarag (1924), a short novel originally written in Bengali, which can be seen as com-plementary parts of a feminist utopian vision. These works show a desire for an egalitarian, decolonized nation, cutting through barriers of religion, gender, race, and class. Kuiti’s article shows how both fictions offer a vision of interreligious sisterhood, particularly by proposing Hindu-Muslim com-munal unity, against a backdrop of growing tensions between the Hindu and Muslim communities in fin-de-siècle British India. The article also shows how the Indigo Rebellion of 1859 in colonial Bengal is represented in Padmarag to create critiques of predatory colonial masculinity. Hossain’s utopian