Narrating the Infant: A New Look at the Films of James and Joyce Robertson

Pub Date : 2022-08-01 DOI:10.3366/pah.2022.0421
Katie Joice
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Abstract

James Robertson’s early films of hospitalized children, particularly A Two Year Old Goes to Hospital (1952), are frequently cited in histories of child psychoanalysis and child psychiatry. Much less is known about the later phase of the research he undertook with his wife, Joyce Robertson, into substitute mothering and the nursery setting. This project was documented in the film series Young Children in Brief Separation ( YCBS) (1967), in which the Robertsons acted as foster parents to four children temporarily separated from their mothers. They made a contrasting film, John, about a young boy’s nine-day stay in a residential nursery, where the effects of discontinuous care on the child’s mind are starkly revealed. Drawing on the concept of the narrative self, this article examines the YCBS series for the first time in the historical literature, exploring the films’ clinical and socio-political meanings. In this new account of the Robertson films, cinematic storytelling becomes a means of exposing, and militating against, psychological fragmentation in the mind of the child, carer and film-viewer.
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讲述婴儿:詹姆斯和乔伊斯·罗伯逊电影新论
詹姆斯·罗伯逊早期拍摄的住院儿童电影,尤其是《两岁的孩子去医院》(1952年),在儿童精神分析和儿童精神病学史上经常被引用。关于他与妻子乔伊斯·罗伯逊(Joyce Robertson)对代孕和托儿所环境进行的后期研究,人们知之甚少。这个项目被记录在电影系列《短暂分离的幼儿》(YCBS)(1967年)中,罗伯逊夫妇扮演了四个暂时与母亲分离的孩子的养父母。他们制作了一部对比鲜明的电影《约翰》,讲述了一个小男孩在寄宿托儿所呆了九天的故事,在那里,不连续的护理对孩子心灵的影响被赤裸裸地揭示出来。本文借鉴叙事自我的概念,在历史文献中首次考察了YCBS系列电影,探讨了这些电影的临床意义和社会政治意义。在这部关于罗伯逊电影的新作品中,电影故事成为一种揭露和防止儿童、看护人和电影观众心理分裂的手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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