Visualizations of Soviet Repression and the Gulag in Russian Museums: Common Exhibition Models

IF 1.9 2区社会学 Q2 POLITICAL SCIENCE

Problems of Post-Communism Pub Date : 2021-10-21 DOI:10.1080/10758216.2021.1987268

Irina Flige

引用次数: 3

Abstract

ABSTRACT This article analyzes the conceptual approaches and exhibition designs used by Russian museums for exhibitions on the Soviet terror. Using empirical data from 145 museums researched over 16 years, the author develops a typology of common models of visualization. At the center of this typology is an innovative approach to the representation of the “hero–victim–villain” triad, which is pivotal to exhibitions focusing on humanitarian disasters. The author argues that the way Russian museums use this triad is the main reason for the inadequacy of the majority of Russian museum exhibitions dedicated to the terror.

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苏联镇压和古拉格在俄罗斯博物馆的可视化:常见的展览模式

本文分析了俄罗斯博物馆举办苏联恐怖展览的概念方法和展览设计。作者利用16年来对145家博物馆的研究数据，开发了一种常见的可视化模型类型。这种类型学的核心是对“英雄-受害者-恶棍”三位一体的创新表现方式，这对关注人道主义灾难的展览至关重要。作者认为，俄罗斯博物馆使用这三要素的方式是导致大多数俄罗斯博物馆的恐怖展览不充分的主要原因。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Problems of Post-Communism POLITICAL SCIENCE-

CiteScore

4.00

自引率

12.50%

发文量

期刊介绍： The post-communist countries are the most rapidly changing societies of Europe and Asia. For insight into this twenty-first century revolution, there is no better source than Problems of Post-Communism. Emphasis is placed on timely research covering current economic, political, security, and international developments and trends in Russia and China, Central Europe and Central Asia, Latin America, and Southeast Asia. Clarity and readability make the articles fully accessible to researchers, policy makers, and students alike.