The African Novel at the Vanguard

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM
Magalí Armillas-Tiseyra
{"title":"The African Novel at the Vanguard","authors":"Magalí Armillas-Tiseyra","doi":"10.1017/pli.2021.49","DOIUrl":null,"url":null,"abstract":"The final chapter of Jeanne-Marie Jackson’s The African Novel of Ideas: Philosophy and Individualism in the Age of Global Writing (2021) openswith a characterization of the novel as the genre par excellence of disruption, failure, and, via reference to György Lukács, the loss of totality. This is, Jackson continues, one of two stories commonly told about the novel. The other treats the novel as a liberal and bourgeois institution, where narratives of individual development serve to sustain social and, increasingly, geopolitical inequalities. Although the latter has had greater traction in African literary studies, neither story is properly satisfactory for Jackson. There follows from this an analysis of works in which “it is the idea of ideas that provides some relief from a grotesquely disjointed and disorienting web of global systems.”1 The qualification “some relief” is key: the exploration of philosophical questions in fiction is not for Jackson a recuperating alternative. It is one among several modalities engaged in the works she analyzes, but one that has tended to be overlooked—even dismissed—by the predominant paradigms of African literary studies as it currently stands. Enter the novel of ideas, alternately referred to here as the philosophical novel. In Jackson’s thinking, the “novel of ideas” is less a taxonomizing literarycritical designation (a set of features that a work must or must not have) than a tool for breaching a set of critical impasses. At no point does Jackson undertake a systematic excavation of the form comparable to what one finds in Sianne Ngai’s recent Theory of the Gimmick: Aesthetic Judgment and Capitalist Form (2020), nor","PeriodicalId":42913,"journal":{"name":"Cambridge Journal of Postcolonial Literary Inquiry","volume":"9 1","pages":"243 - 250"},"PeriodicalIF":0.3000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cambridge Journal of Postcolonial Literary Inquiry","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/pli.2021.49","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0

Abstract

The final chapter of Jeanne-Marie Jackson’s The African Novel of Ideas: Philosophy and Individualism in the Age of Global Writing (2021) openswith a characterization of the novel as the genre par excellence of disruption, failure, and, via reference to György Lukács, the loss of totality. This is, Jackson continues, one of two stories commonly told about the novel. The other treats the novel as a liberal and bourgeois institution, where narratives of individual development serve to sustain social and, increasingly, geopolitical inequalities. Although the latter has had greater traction in African literary studies, neither story is properly satisfactory for Jackson. There follows from this an analysis of works in which “it is the idea of ideas that provides some relief from a grotesquely disjointed and disorienting web of global systems.”1 The qualification “some relief” is key: the exploration of philosophical questions in fiction is not for Jackson a recuperating alternative. It is one among several modalities engaged in the works she analyzes, but one that has tended to be overlooked—even dismissed—by the predominant paradigms of African literary studies as it currently stands. Enter the novel of ideas, alternately referred to here as the philosophical novel. In Jackson’s thinking, the “novel of ideas” is less a taxonomizing literarycritical designation (a set of features that a work must or must not have) than a tool for breaching a set of critical impasses. At no point does Jackson undertake a systematic excavation of the form comparable to what one finds in Sianne Ngai’s recent Theory of the Gimmick: Aesthetic Judgment and Capitalist Form (2020), nor
先锋的非洲小说
珍妮·玛丽·杰克逊(Jeanne Marie Jackson)的《非洲思想小说:全球写作时代的哲学与个人主义》(The African Novel of Ideas:Philosophy and Individism in The Age of Global Writing,2021)的最后一章开篇将小说描述为一种颠覆、失败的优秀类型,并通过引用吉尔·卢卡奇(György Lukács)的话,将其描述为整体性的丧失。杰克逊继续说道,这是关于这部小说的两个常见故事之一。另一种则将小说视为一种自由主义和资产阶级的制度,在这种制度中,个人发展的叙事有助于维持社会不平等,以及日益严重的地缘政治不平等。尽管后者在非洲文学研究中有更大的吸引力,但这两个故事都不能让杰克逊满意。从这一点出发,我们对作品进行了分析,其中“正是思想的理念从一个怪诞的、脱节的、迷失方向的全球系统网络中提供了一些解脱。”1“某种解脱”的资格是关键:对小说中哲学问题的探索对杰克逊来说并不是一种疗养的选择。这是她分析的作品中的几种模式之一,但目前非洲文学研究的主流范式往往忽视甚至忽视了这种模式。进入思想小说,这里交替称为哲学小说。在杰克逊的思想中,“思想小说”与其说是一种对文学批评的分类指定(一部作品必须具备或不必须具备的一系列特征),不如说是一个打破一系列批评僵局的工具。杰克逊在任何时候都没有对这种形式进行系统的挖掘,就像人们在Sianne Ngai最近的《吉米克理论:审美判断和资本主义形式》(2020)中所发现的那样,也没有
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
CiteScore
0.40
自引率
0.00%
发文量
37
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信