{"title":"Nose-wise: Smell Studies Come of Age","authors":"D. Howes","doi":"10.51937/amfiteater-2021-2/34","DOIUrl":null,"url":null,"abstract":"This essay argues that to arrive at a proper understanding of the aesthetic and cognitive\npotential of smell, we must look outside the western tradition to those traditions where\nthe power of smell does not carry all the baggage, all the disqualifications that Kant and\nFreud, and even Proust, saddled it with. The cases of Indian perfumery, the Chinese incense\nclock, and the Japanese incense ceremony known as kōdō, which involves “listening to the\nincense” (ko wo kiku), are presented by way of example. This essay also seeks to recover\nthe original meaning of the term “aesthetic,” which Baumgarten defined as the science of\ngrasping “the unity in multiplicity of sensible qualities.”","PeriodicalId":34446,"journal":{"name":"Amfiteater","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Amfiteater","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51937/amfiteater-2021-2/34","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
This essay argues that to arrive at a proper understanding of the aesthetic and cognitive
potential of smell, we must look outside the western tradition to those traditions where
the power of smell does not carry all the baggage, all the disqualifications that Kant and
Freud, and even Proust, saddled it with. The cases of Indian perfumery, the Chinese incense
clock, and the Japanese incense ceremony known as kōdō, which involves “listening to the
incense” (ko wo kiku), are presented by way of example. This essay also seeks to recover
the original meaning of the term “aesthetic,” which Baumgarten defined as the science of
grasping “the unity in multiplicity of sensible qualities.”
本文认为,为了正确理解嗅觉的审美和认知潜力,我们必须跳出西方传统,看看那些传统,在这些传统中,嗅觉的力量并没有像康德、弗洛伊德甚至普鲁斯特那样背负着所有的包袱,所有的不合格。以印度香水、中国香炉和日本焚香仪式kōdō为例,其中包括“听香”(ko wo kiku)。本文还试图恢复“美学”一词的原意,鲍姆加滕将其定义为把握“感性品质多样性中的统一性”的科学。