Drawing Torah from Troubling Texts: Gender, Disability, and Jewish Feminist Ethics

IF 0.3 Q3 Arts and Humanities
Belser
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引用次数: 0

Abstract

This article argues for the importance of developing queer feminist disability ethics in ways that push beyond the conventional canon, acknowledging the violence present in many traditional texts and their failures to do justice to lived disability experience. Critiquing a famous debate in the Babylonian Talmud, Ketubot 17a, in which Hillel and Shammai debate the permissibility of telling a lie in order to praise the beauty of a disabled bride at her wedding, the author argues for a Jewish disability ethics that engages secular disability arts. Examining the artistry of queer disabled dancer Claire Cunningham, the essay draws out the embodied ethical insights expressed through disability arts and argues that Cunningham's work offers a more compelling answer to the Talmud's question—in her claim that love lodges in the tangible acts of paying attention to another.
从令人不安的文本中提取托拉:性别、残疾和犹太女权主义伦理
本文认为,以超越传统经典的方式发展酷儿女权主义残疾伦理的重要性,承认许多传统文本中存在的暴力行为,以及他们未能公正对待残疾生活经历。作者批评了《巴比伦塔木德》中一场著名的辩论,Ketubot 17a,在这场辩论中,Hillel和Shammai辩论了在婚礼上为了赞美残疾新娘的美丽而撒谎的允许性,并主张采用世俗残疾艺术的犹太残疾伦理。这篇文章考察了酷儿残疾舞者克莱尔·坎宁安的艺术性,引出了通过残疾艺术表达的具体伦理见解,并认为坎宁安作品为《塔木德》的问题提供了一个更令人信服的答案——她声称爱存在于关注他人的有形行为中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.20
自引率
0.00%
发文量
8
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