{"title":"Refuge in the Rock: Chthonic Rescue and Other Narrations of Women in Peril","authors":"M. Mills","doi":"10.13110/NARRCULT.8.1.0082","DOIUrl":null,"url":null,"abstract":"Abstract:This article explores dimensions of motifs of rescue of women in peril from dangerous others: religious, political, or ethnic enemies; malevolent supernaturals; or unacceptable human suitors. Defense of women's chastity and sexual vulnerability are immediate and pervasive communal concerns. Across an array of Persian-language oral and written narrative genres, what kinds of rescue/escape are possible and impossible? What are the forms of female agency entailed by different scenarios (differentiated by genre)? What is tellable, what is untellable, by whom, to whom? The parameters of possibility align with genre: sacred legend appears to be backed in some cases by older mythic associations; romance and folktale are identified by tellers as fictional and fanciful; local oral historical accounts and personal experience narratives have constraints on tellability related to the social vulnerability of victims. These thematic variations on female peril and rescue may propagate orally in local communities then also appear in written form as legends, tales, memorates, historical and journalistic accounts, and memoirs intended for different audiences. In a cultural area where the peaceful (and consensual) seclusion of women in protected domestic space was traditionally regarded as an index of social order and well-being, a striking element of certain legends is that of immobilized sequestration as both escape and consecrated agency for women. The place of refuge also becomes a locus of female sacred power.","PeriodicalId":40483,"journal":{"name":"Narrative Culture","volume":"8 1","pages":"105 - 82"},"PeriodicalIF":0.2000,"publicationDate":"2021-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Narrative Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/NARRCULT.8.1.0082","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:This article explores dimensions of motifs of rescue of women in peril from dangerous others: religious, political, or ethnic enemies; malevolent supernaturals; or unacceptable human suitors. Defense of women's chastity and sexual vulnerability are immediate and pervasive communal concerns. Across an array of Persian-language oral and written narrative genres, what kinds of rescue/escape are possible and impossible? What are the forms of female agency entailed by different scenarios (differentiated by genre)? What is tellable, what is untellable, by whom, to whom? The parameters of possibility align with genre: sacred legend appears to be backed in some cases by older mythic associations; romance and folktale are identified by tellers as fictional and fanciful; local oral historical accounts and personal experience narratives have constraints on tellability related to the social vulnerability of victims. These thematic variations on female peril and rescue may propagate orally in local communities then also appear in written form as legends, tales, memorates, historical and journalistic accounts, and memoirs intended for different audiences. In a cultural area where the peaceful (and consensual) seclusion of women in protected domestic space was traditionally regarded as an index of social order and well-being, a striking element of certain legends is that of immobilized sequestration as both escape and consecrated agency for women. The place of refuge also becomes a locus of female sacred power.
期刊介绍:
Narrative Culture is a new journal that conceptualizes narration as a broad and pervasive human practice, warranting a holistic perspective that grasps the place of narrative comparatively across time and space. The journal invites contributions that document, discuss and theorize narrative culture, and offers a platform that integrates approaches spread across various disciplines. The field of narrative culture thus outlined is defined by a large variety of forms of popular narratives, including not only oral and written texts, but also narratives in images, three-dimensional art, customs, rituals, drama, dance, music, and so forth. Narrative Culture is peer-reviewed and international as well as interdisciplinary in orientation.