The Politics of Witchcraft and the Politics of Blood: Reading Sovereignty and Sociality in the Livingstone Museum

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Alírio Karina
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引用次数: 0

Abstract

Abstract:Thoroughly entangled in the legacies of colonial anthropology, witchcraft is often presented as evidence of primitiveness or superstition, or as a metaphor for reality. This paper examines a set of witchcraft objects held at the Livingstone Museum in Zambia, reading them against anthropological and political-theoretical efforts to treat witchcraft as a metaphor—for the African nation-state, capitalism, and ethnic violence, or for African ingenuity, modernity, and liberation. It argues instead that the materiality of witchcraft invites a reconceptualization of ideas of postcolonial agency and points to the limitations of liberatory politics organized around the pursuit of sovereignty.
巫术政治与血缘政治:阅读利文斯通博物馆的《主权与社会性》
摘要:与殖民人类学的遗产纠缠在一起,巫术经常被视为原始性或迷信的证据,或是对现实的隐喻。本文考察了赞比亚利文斯通博物馆(Livingstone Museum)收藏的一组巫术物品,将其与人类学和政治理论将巫术视为隐喻的努力进行了对比——隐喻非洲民族国家、资本主义和种族暴力,或隐喻非洲的独创性、现代性和解放。相反,它认为巫术的物质性引发了对后殖民机构思想的重新定义,并指出了围绕追求主权而组织的解放政治的局限性。
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来源期刊
POSTMODERN CULTURE
POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
11
期刊介绍: Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.
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