Empathy for the inanimate

Q2 Arts and Humanities
Thijs Trompenaars
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引用次数: 2

Abstract

Narrative fiction may invite us to share the perspective of characters which are very much unlike ourselves. Inanimate objects featuring as protagonists or narrators are an extreme example of this. The way readers experience these characters was examined by means of a narrative immersion study. Participants (N = 200) judged narratives containing animate or inanimate characters in predominantly Agent or Experiencer roles. Narratives with inanimate characters were judged to be less emotionally engaging. This effect was influenced by the dominant thematic role associated with the character: inanimate Agents led to more defamiliarization compared to their animate counterparts than inanimate Experiencers. I argue for an integrated account of thematic roles and animacy in literary experience and linguistics in general.
对无生命的同情
叙事小说可能会邀请我们分享与我们截然不同的人物的视角。以主人公或叙述者为特征的无生命物体就是一个极端的例子。读者体验这些人物的方式是通过叙事沉浸式研究来检验的。参与者(N = 200)包含主要扮演代理人或体验者角色的有生命或无生命人物的判断叙事。无生命人物的叙事被认为不那么具有情感吸引力。这种效果受到了与角色相关的主导主题角色的影响:与无生命的体验者相比,无生命的代理人会导致更多的陌生化。我主张综合考虑文学经验和语言学中的主题角色和动物性。
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来源期刊
Linguistics in the Netherlands
Linguistics in the Netherlands Arts and Humanities-Language and Linguistics
CiteScore
0.30
自引率
0.00%
发文量
25
期刊介绍: Linguistics in the Netherlands is a series of annual publications, sponsored by the Dutch Linguistics Association (Algemene Vereniging voor Taalwetenschap) and published by John Benjamins Publishing Company since Volume 8 in 1991. Each volume contains a careful selection through peer review of papers presented at the annual meeting of the society. The aim of the annual meeting is to provide members with an opportunity to report on their work in progress. Each volume presents an overview of research in different fields of linguistics in the Netherlands containing articles on phonetics, phonology, morphology, syntax and semantics.
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