The titanium 3D-printed flute: New prospects of additive manufacturing for musical wind instruments design

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2020-09-28 DOI:10.1080/09298215.2020.1824240

Anastasia Kolomiets, Y. Grobman, Vladimir V. Popov, Evgeny Strokin, G. Senchikhin, E. Tarazi

引用次数: 9

Abstract

Titanium additive manufacturing (Ti-AM) is currently used for customized parts in medicine, aviation, and aerospace. The combination of superior mechanical and physical properties of titanium alloys, together with lightweight properties, seemed to be attractive also for other, large-scale consumer fields. However, the list of successful Ti-AM applications is still limited. Furthermore, in some areas where the potential of Ti-AM can be considered as especially valuable, no attempts had been found to use it. One such promising area is wind musical instruments. The current case study focused on the design and 3D-printing of titanium flute.

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钛合金3d打印长笛:增材制造用于管乐器设计的新前景

钛增材制造（Ti-AM）目前用于医疗、航空和航天领域的定制零件。钛合金优异的机械和物理性能以及轻质性能的结合，似乎对其他大规模消费领域也很有吸引力。然而，成功的Ti AM应用列表仍然有限。此外，在一些可以认为Ti AM的潜力特别有价值的领域，还没有发现使用它的尝试。管乐器就是其中一个很有前景的领域。目前的案例研究集中在钛长笛的设计和3D打印上。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.