Alienacja, integracja, akceptacja – relacje interpersonalne w dramatach Herberta Bergera i Petera Turriniego

IF 0.4 0 LITERATURE
D. Tomczuk
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引用次数: 0

Abstract

The aim of the text is a hermeneutic analysis of two Austrian dramas: the one-act play by Herbert Berger from the year 1970 and Peter Turrini's play from the year 2018. Both works are examples of a contemporary variation of the genre "Volksstück" with a hybrid tradition in German-language literature and theater dating back to the 18th century. The comparative analysis of both works focuses on the mechanisms of actions and the role of the characters' moral instinct, while the diagnoses of important social and political problems made by playwright writers may be the key to a better understanding by the reader.  
本文的目的是对两部奥地利戏剧进行解释学分析:1970年赫伯特·伯杰的独幕剧和2018年彼得·图里尼的戏剧。这两部作品都是“volksst ck”流派的当代变体,是德语文学和戏剧的混合传统,可以追溯到18世纪。两部作品的对比分析侧重于行为机制和人物道德本能的作用,而剧作家对重大社会和政治问题的诊断可能是读者更好理解的关键。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Acta Neophilologica
Acta Neophilologica LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
16 weeks
期刊介绍: The scientific journal Acta Neophilologica is the review of Slovenian experts in English-speaking, German-speaking and French- and Italian-speaking literary historians that publishes scientific studies of international and domestic scientists in the field of Western-European, American and other literatures in English. The journal pays special attention to the problems from the history of cultural and especially literary and theatre contacts between Slovenia and Western-European literatures, as well as the problems of Slovenian emigrant literature. The articles are published in the world language (English, German, French, Italian) the literature of which the author analyzes, the abstracts are written in a foreign language and the summaries in the Slovenian language.
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