Chasing Miss Jimenez: Rereading the Chicana Vendida through Colonial Affect-Culture

IF 1.8 4区 社会学 Q2 WOMENS STUDIES
Lorena Gauthereau
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引用次数: 0

Abstract

Abstract:This article brings a new reading of Luis Valdez’s 1967 one-act play, Los Vendidos, that highlights the problematic gendering of selling out depicted through the character of Miss Jimenez. I read Miss Jimenez and the resentment directed at her for her assimilation as indicative of the larger gendered affect of resentment that Chicana feminists experienced during the Chicana/o movement. I trace how this resentment is directly related to colonial legacies and reproduces colonial hierarchies that continue to devalue women of color. As Chicana feminists voiced their concerns about male-centered activism, they were labeled as vendidas and agringadas (assimilated or “Anglocized”). I detail how, in response to this gendered resentment, Chicana feminists created an activist pedagogical strategy that did not abandon middle-class assimilated Chicana/os but rather validated their lived experiences as part of the Chicana/o experience even if it was not working class.
追逐希门尼斯小姐:通过殖民影响文化重读Chicana Vendida
摘要:本文对路易斯·瓦尔迪兹1967年的独幕剧《洛斯·旺迪多斯》进行了新的解读,该剧强调了希门尼斯小姐这个角色所描绘的售罄的性别问题。我读到希门尼斯小姐和针对她被同化的怨恨,这表明奇卡纳女权主义者在奇卡纳/o运动期间经历了更大的怨恨的性别影响。我追溯了这种怨恨是如何与殖民遗产直接相关的,并再现了继续贬低有色人种女性的殖民等级制度。当Chicana女权主义者表达他们对以男性为中心的激进主义的担忧时,他们被贴上了vendidas和agringadas(同化或“英国化”)的标签。我详细描述了为了回应这种性别化的怨恨,奇卡纳女权主义者是如何创造一种积极的教学策略的,这种策略没有放弃中产阶级同化的奇卡纳人,而是将他们的生活经历作为奇卡纳/人经历的一部分,即使它不是工人阶级。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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