{"title":"Brent Salter. Negotiating Copyright in the American Theatre: 1856–1951","authors":"George Pate","doi":"10.3138/md-66-2-rev7","DOIUrl":null,"url":null,"abstract":"Negotiating Copyright in the American Theatre: 1856–1951 offers a nuanced exploration of the legal negotiations that shaped American theatre and authors’ rights therein. The book’s meticulous, granular investigation into these negotiations yields both a compelling narrative and a multilayered account of their ideological, legal, cultural, and social stakes.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN DRAMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/md-66-2-rev7","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
Abstract
Negotiating Copyright in the American Theatre: 1856–1951 offers a nuanced exploration of the legal negotiations that shaped American theatre and authors’ rights therein. The book’s meticulous, granular investigation into these negotiations yields both a compelling narrative and a multilayered account of their ideological, legal, cultural, and social stakes.