The Color of Modernism: Paints, Pigments, and the Transformation of Modern Architecture in 1920s Germany

Abstract

regionalism. Despite the above open questions, this densely argued and elaborate reading of A Critical History is a veritable tour de force by an author who is well versed both in Frampton’s oeuvre and in the critical theory that sustains his analysis. Reading Gevork Hartoonian reading Kenneth Frampton will both challenge and satisfy more than one generation of aficionados of architectural historiography and critical praxis.