Two Unnarrated Stories in Horace's Roman Odes (Carm. 3.2.1–12 and 3.6.21–32): Echoes of Vergil's Unfinished Aeneid and a Lowlife Epigram

IF 0.2 3区 历史学 0 CLASSICS
Antichthon Pub Date : 2023-07-19 DOI:10.1017/ann.2023.7
S. Werner
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引用次数: 0

Abstract

Within the rhetorical frameworks of exhortation and illustrative exemplum, Horace's second and sixth Roman Odes offer compressed, contrasting images of a young person's education and transformation, presenting these as stories about a puer and a virgo, respectively, in a lyric mode that does not narrate. In the first of these stories (Carm. 3.2.1–12), Horace slyly usurps characters from Vergil's unfinished Aeneid, alluding to some of its distinctive narrative techniques, but also draws on the similes and plot structure of its Iliadic model. The second of Horace's stories (Carm. 3.6.21–32) plays off his first, as he converts the adulta virgo who figures in Carm. 3.2 into her antitype. This story has as its intertext an obscene Hellenistic epigram by Automedon. Horace makes both intertextual and metatextual use of his models, while his indirect references, through Homer, to Vergil's intended design for his emerging Aeneid may be considered under the new heading of extratextual.
贺拉斯《罗马颂歌》(Carm. 3.2.1-12和3.6.21-32)中两个未叙述的故事:维吉尔《未完成的埃涅伊德》的回响和一部下层社会的警句
在劝诫和例证的修辞框架内,贺拉斯的第二首和第六首罗马颂歌提供了一个年轻人的教育和转变的压缩,对比图像,分别以抒情的方式呈现了一个普洱茶和一个处女座的故事,而不是叙述。在第一个故事(卡姆3.2.1-12)中,贺拉斯狡猾地借用了维吉尔未完成的《埃涅伊德》中的人物,暗指其独特的叙事技巧,但也借鉴了其《伊利亚特》模式的比喻和情节结构。贺拉斯的第二个故事(卡姆3.6.21-32)延续了他的第一个故事,因为他把卡姆3.2中的成年处女变成了她的原型。这个故事的互文是Automedon写的下流的希腊警句。贺拉斯对他的模型进行了互文和元文本的使用,而他通过荷马间接引用了维吉尔为他的《埃涅伊德》所设计的意图,这可以被认为是在文本外的新标题下。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Antichthon
Antichthon CLASSICS-
CiteScore
0.20
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