Strategies of legitimization in Mesoamerica

Q1 Arts and Humanities
J. Testard
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Abstract

Despite the abundant quantity of greenstone artifacts found in Teotihuacan, to the best of our knowledge, only one example of a figurative plaque has ever been recovered from the site. This plaque (British Museum, Am1938,1021.25) was recovered from an unknown and probably intrusive context within the Pyramid of the Feathered Serpent, deposited long after its construction (Digby 1972, 30; Nagao 2006, 420; Sugiyama and López Luján 2006, 145). By contrast, in CacaxtlaXochitécatl (Tlaxcala) and Xochicalco (Morelos), several Epiclassic figurative plaques have been found in archaeological contexts (fig. 1). How can we explain their appearance in the central Mexican highlands? What were their uses and functions? What can be said about them in terms of sociopolitical processes? The present study converges with Solar Valverde’s (2002) and Nagao’s (2006, 2014) previous works on greenstone figurative plaques but seeks to add examples and deepen considerations regarding seventeen figurative plaques from the Cacaxtla-Xochitécatl and Xochicalco archaeological sites: seven from CacaxtlaXochitécatl (A to G) and ten from Xochicalco (H to Q) (fig. 2). I will evaluate their contexts, uses, and
中美洲的合法化战略
尽管在特奥蒂瓦坎发现了大量的绿岩文物,但据我们所知,该遗址只发现了一块具象牌匾。这块牌匾(大英博物馆,Am19381021.25)是从羽蛇金字塔中一个未知的、可能是侵入性的环境中发现的,在其建造后很长一段时间就被沉积了(Digby 1972,30;Nagao 2006,420;Sugiyama和López Luján 2006,145)。相比之下,在CacaxtlaXochitécatl(Tlaxcala)和Xochicalco(Morelos)中,在考古背景下发现了几块新古典主义具象牌匾(图1)。我们如何解释它们在墨西哥中部高地的出现?它们的用途和功能是什么?从社会政治进程的角度来看,可以对他们说些什么?本研究与Solar Valverde(2002)和Nagao(20062014)之前关于绿岩具象牌匾的研究相一致,但试图增加关于Cacaxtla Xochitécatl和Xochicalco考古遗址17块具象牌匾(7块来自CacaxtlaXochit etécatl(A至G),10块来自Xochicacco(H至Q))的例子并加深思考(图2)。我将评估它们的上下文、用途和
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来源期刊
Res: Anthropology and Aesthetics
Res: Anthropology and Aesthetics Arts and Humanities-Visual Arts and Performing Arts
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期刊介绍: Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also seeks to make available textual and iconographic documents of importance for the history and theory of the arts.
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