Newly Discovered Śaiva-Ascetic Icons from West Bengal

IF 0.2 1区 艺术学 0 ART
Ranjusri Ghosh
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Abstract

abstract:Koṭivarṣa, a sacred place and an administrative unit that is mentioned in early medieval Indian religious and epigraphic sources from 700 to 1200 ce, is the area of focus of this essay. As an administrative unit, it was almost coterminous with the old Dinajpur district of Bengal, which is now divided into the present Indian state of West Bengal and Bangladesh. At one point in time, its headquarters came to be known as Devīkoṭa, underscoring its rise as a prime place for Devī, the Mother goddess. Sculptural arrays of the Mother goddess from this place point to the domineering presence of her fearsome principles; they parallel textual descriptions about the sacred importance of a wrathful form of the Mother, normally referred to as Cāmuṇḍā. The religious texts, however, do not speak of the ascetics who might have performed the rituals to propitiate the Mother. We do not yet know if any new dimension was added to the corpus of rituals, and the ŚivaŚakti power equation after the Saiddhāntika Śaiva preceptors affiliated with Golagī great monastery of Durvāsas lineage entered Devīkoṭa at the end of the tenth century. This essay searches for answers in the visual elements on the lower registers of stone steles, such as the devotees/donors, other individuals in the service of the Mother Goddess, potfuls of offerings, and the environment of cremation grounds in which worship took place. The main deity and associated figures occupying the larger space in the middle of the steles have tantric content. Icons of Śaiva ascetics from West Bengal, including the three newly discovered examples, are important subjects for this essay, which concludes with the transformation of Devīkoṭa to Bangarh, where Śiva emerged as the chief god par excellence. The Devī had lost her koṭa, her bastion, forever.
新发现的Śaiva-Ascetic西孟加拉邦图标
摘要:Koṭivarṣa、 公元前700年至1200年,中世纪早期印度宗教和碑文资料中提到的圣地和行政单位是本文的重点。作为一个行政单位,它几乎与旧的孟加拉迪纳杰布尔区毗邻,该区现在分为现在的印度西孟加拉邦和孟加拉国。有一段时间,它的总部被称为Devīkoṭa、 强调了它作为母亲女神德芙的黄金之地的崛起。这个地方的母亲女神雕塑阵列表明了她可怕的原则的霸气存在;它们平行于对愤怒的母亲的神圣重要性的文本描述,通常被称为Cāmuṇḍā。然而,宗教文本中并没有提到禁欲主义者,他们可能会举行仪式来安抚母亲。我们还不知道是否有任何新的维度被添加到仪式的主体中,以及在隶属于杜尔瓦萨斯的Golagī大修道院的Saiddhāntikaāaiva导师进入Devīko之后的希瓦·阿克蒂权力等式ṭa在十世纪末。本文从石碑下部的视觉元素中寻找答案,如奉献者/捐赠者、为女神母亲服务的其他人、一罐罐供品以及进行礼拜的火葬场环境。石碑中间占据较大空间的主要神和相关人物具有密宗内容。来自西孟加拉邦的湿婆苦行僧的图标,包括三个新发现的例子,是本文的重要主题,文章以Devīko的转变结束ṭa到班加尔,希瓦在那里成为卓越的首席神。Devī失去了她的koṭa、 她的堡垒,永远。
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来源期刊
CiteScore
0.40
自引率
20.00%
发文量
13
期刊介绍: Since its establishment in 1945, Archives of Asian Art has been devoted to publishing new scholarship on the art and architecture of South, Southeast, Central, and East Asia. Articles discuss premodern and contemporary visual arts, archaeology, architecture, and the history of collecting. To maintain a balanced representation of regions and types of art and to present a variety of scholarly perspectives, the editors encourage submissions in all areas of study related to Asian art and architecture. Every issue is fully illustrated (with color plates in the online version), and each fall issue includes an illustrated compendium of recent acquisitions of Asian art by leading museums and collections. Archives of Asian Art is a publication of Asia Society.
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