Utopias and temporo-spatial invention: reading More with Marin

IF 0.1 3区 历史学 Q2 HISTORY
R. Scholar
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引用次数: 0

Abstract

Louis Marin views Utopia as the organization of space in a discourse that finds its expression in specific texts from More's onwards. He argues that More's text contains non-congruent spaces - internal gaps and fissures in the geography of Utopia unwittingly betrayed by the description of More's traveller - and that these point to places of argument awaiting an as-yet unformulated theory of society in an era of capitalism. It is here suggested that, even as Marin thus presents Utopia as organized space, his analysis is driven by time, primarily the historical time that produces Marx, whose social theory Marin projects backwards on to More's work. Marin's retro-projective approach, for all the remarkable insights it generates, leaves underexamined the question of how early modern utopianism may be said to have imagined space in historical time and, in so doing, emerged as a tradition of invention.
乌托邦与时空发明:与马林一起阅读更多
Louis Marin将乌托邦视为话语中的空间组织,从莫尔开始,乌托邦就在特定的文本中得到了表达。他认为,莫尔的文本包含了不一致的空间——莫尔的旅行者的描述无意中暴露了乌托邦地理的内部差距和裂缝——这些都指向了等待资本主义时代尚未形成的社会理论的争论点。这里有人认为,尽管马林将乌托邦呈现为有组织的空间,但他的分析是由时间驱动的,主要是产生马克思的历史时间,马林将马克思的社会理论追溯到莫尔的作品中。马林的复古投射方法,尽管它产生了所有引人注目的见解,但却让早期现代乌托邦主义如何在历史时间中想象空间,并在这样做的过程中成为一种发明传统的问题没有得到充分的检验。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Early Modern French Studies (formerly Seventeenth-Century French Studies) publishes high-quality, peer-reviewed, original articles in English and French on a broad range of literary, cultural, methodological, and theoretical topics relating to the study of early modern France. The journal has expanded its historical scope and now covers work on the sixteenth, seventeenth, and eighteenth centuries. Within this period of French literary and cultural history, the journal particularly welcomes work that relates to the term ''early modern'', as well as work that interrogates it. It continues to publish special issues devoted to particular topics (such as the highly successful 2014 special issue on the cultural history of fans) as well as individual submissions.
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